
- Review: ADMISSION
March 22, 2013 - REVIEW: The End of Love (2013)
March 1, 2013 - We Can’t Go Home Again (1973)
January 3, 2013 - Review: EXCUSE ME FOR LIVING
October 12, 2012


- March 2013
- January 2013
- October 2012
- August 2012
- June 2012
- May 2012
- April 2012
- February 2012
- January 2012
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- October 2005
- September 2005
- July 2005
- June 2005
- May 2005
- April 2005
- March 2005
- January 2005
JANE EYRE (2011) on DVD
Charlotte Bronte’s classic 1847 Gothic novel Jane Eyre has been filmed many times for movies and television over the years, but director Cary Fukunaga has now set the bar so high with his marvelous adaptation, future filmmakers will likely pause before using the source material again because of the excellent achievements of the cast and crew.
The story centers on Jane Elliot (Mia Wasikowska), an unusually strong-willed woman for the times, a trait that will define her. As the film opens, she is 10 years old (played by Amelia Clarkson) and living with her dead uncle’s family because her parents have previously died as well. Aunt Sarah (Sally Hawkins) mistreats her and eventually sends her off to a boarding school where they try to beat the defiance out of her. After school, she takes a job from Mrs. Fairfax (Dame Judy Dench) as a governess to young Adele (Romy Settbon Moore) at Thornfield Hall and eventually makes the acquaintance of Edward Fairfax Rochester (Michael Fassbinder), the man of the house. Jane intrigues Rochester because she behaves and thinks differently than other women. While a bond forms between them, strange, inexplicable goings-on occur at Thornfield Hall that will have an impact on their relationship.
Cary Fukunaga wisely surrounded himself with talented people and guided them to creating a very memorable film. Moira Buffini’s screenplay packs a lot of story into two hours. It is well paced and never feels rushed. Bronte’s plot is captivating at every turn, and every character’s motivation is believable. It is also refreshing to see such a well-rounded, realistic female character in Jane. The cast delivers great performances bringing these characters to life. Wasikowska is brilliant, reserved when need be but frequently stands up for herself in a world that wasn’t used to, and was barely ready for, that behavior. Fassbinder effortlessly exudes Rochester’s full range emotions as he buries himself in the character. Dench adds an authenticity to the setting just by her presence and the dialogue flows naturally from her. The production design team earns high marks for the great job they have done in creating this period. Dario Marianelli’s score also deserves mention as the exquisite melodies, led by violin, made me want to revisit them.
The most impressive work is Adriano Goldman’s cinematography, which is magnificent to behold and comes across purposeful. Appearing to be lit solely with natural light, reminiscent of Stanley Kubrick’s Barry Lyndon, Goldman embraces the darkness like few directors of photography since the glory days of film noir, adding tension to the scenes in Thornfield Hall. The boarding school color scheme is a dismal gray with the color drained out, a visual metaphor for what they are attempting to do to the children’s vitality. Yet, when things are at their happiest for Jane, bright sunlight and hues augment the warmth felt within her.
The DVD comes with Bonus Features. “Deleted Scenes” (17 min) - Though the film feels complete, these scenes offer more of the story. This is one of the few times where they are worth watching and likely would have worked being edited back into the film. “A Look Inside Jane Eyre” (4 min) is a very brief EPK about film. “To Score Jane Eyre: Cary Fukunaga and Dario Marianelli Team Up” (2 min) - the director talks about Marianelli’s work on the film. “The Mysterious Light of Jane Eyre” (2 min) - It’s unbelievable that Goldman’s work gets such short shrift because it is some of the best of the year, if not the best in years. The commentary by Fukunaga is engaging. He discusses different aspects of the production and also refers to the novel for those of us who haven’t read it.
Rare is the film that excels in so many facets, so I am compelled to enthusiastically recommend Jane Eyre. If it doesn’t make year-end lists, someone hasn’t been paying attention.
Post the First Comment!







