Autry Museum of the American West
April 2018
PAT GARRETT AND BILLY THE KID
This magnificent, lyrical reflection on friendship and mortality follows grizzled lawman Pat Garrett, forced to hunt down his old friend Billy the Kid.
Find out more »The Silent Treatment: THE WIND
The Wind tells the story of Letty Mason (Lillian Gish), a Virginia native who embarks on a new life at her cousin’s ranch in the isolated town of Sweetwater
Find out more »AN AMERICAN TAIL: FIEVEL GOES WEST
Relive the adventure on the big screen as the Mousekewitz family moves West and Fievel takes on the evil Cat R. Waul in a frontier town. Members are invited to bring up to four guests.
Find out more »TRIBAL JUSTICE
In this documentary produced and directed by Anne Makepeace, two Native American judges reach back to traditional concepts of law in an effort to reduce incarceration rates, foster greater safety for their communities, and create a more positive future for youth.
Find out more »June 2018
Harold Lloyd in THE KID BROTHER
Starring and co-directed by Harold Lloyd, and filmed in then-rural Glendale, Burbank, Altadena, and Catalina Island, The Kid Brother tells the tale of Harold of Hickoryville, the bashful son of a country sheriff.
Find out more »January 2019
CLASH OF THE WOLVES (1925)
January 26th, 2019 at 2:00pm The Silent Treatment Presents CLASH OF THE WOLVES (1925) Canine star Rin Tin Tin plays Lobo, a half-wolf, half-dog “combining the savage strength of the wild with the intelligence of his dog ancestry,” who saves a local Borax prospector and his girlfriend from a villainous claim jumper. Directed by Noel M. Smith | Starring Rin Tin Tin, Nanette, and Charles Farrell Screened in 35mm with live musical accompaniment by Cliff Retallick Print preserved by The…
Find out more »February 2019
THE TALL T
February 16th, 2019 at 1:30pm THE TALL T (1957) Directed by Budd Boetticher Starring Randolph Scott, Richard Boone, and Maureen O’Sullivan | Screened in 35mm Budd Boetticher’s taut gem, set mostly in a single desert location, features a story so clear and spare that Randolph Scott’s hero and Richard Boone’s villain are reduced to their bare essence. Boetticher’s penchant for dark humor is put to superb use, making the tension and bursts of violence even more effective. January and…
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